The Countess turned, and in the dazzling light of that fire she beheld her friend leaning with a haggard face on the edge of the bed.
"Are they all there?" he demanded.
But before returning to him she cast a last look upon that destruction, and on that ma.s.s of papers, already half consumed, twisting and turning black, and she saw something red flowing. It looked like drops of blood, and seemed to come out of the very heart of the letters, as from a wound; it ran slowly toward the flames, leaving a purple train.
The Countess received in her soul the shock of supernatural terror, and recoiled as if she had seen the a.s.sa.s.sination of a human being; then she suddenly understood that she had seen simply the melting of the wax seals.
She returned to the wounded man, and lifting his head tenderly laid it back in the center of the pillow. But he had moved, and his pain increased. He was panting now, his face drawn by fearful suffering, and he no longer seemed to know that she was there.
She waited for him to become a little calmer, to open his eyes, which remained closed, to be able to say one word more to her.
Presently she asked: "Do you suffer much?"
He did not reply.
She bent over him and laid a finger on his forehead to make him look at her. He opened his eyes then, but they were wild and dazed.
Terrified, she repeated: "Do you suffer? Olivier! Answer me! Shall I call? Make an effort! Say something to me!"
She thought she heard him murmur: "Bring her . . . you swore to me."
Then he writhed under the bedclothes, his body grew rigid, his face convulsed with awful grimaces.
"Olivier! My G.o.d! Olivier!" she cried. "What is the matter? Shall I call?"
This time he heard her, for he replied, "No . . . it is nothing."
He appeared to grow easier, in fact, to suffer less, to fall suddenly into a sort of drowsy stupor. Hoping that he would sleep, she sat down again beside the bed, took his hand, and waited. He moved no more, his chin had dropped to his breast, his mouth was half opened by his short breath, which seemed to rasp his throat in pa.s.sing. Only his fingers moved involuntarily now and then, with slight tremors which the Countess felt to the roots of her hair, making her long to cry out. They were no more the tender little meaning pressures which, in place of the weary lips, told of all the sadness of their hearts; they were spasms of pain which spoke only of the torture of the body.
Now she was frightened, terribly frightened, and had a wild desire to run away, to ring, to call, but she dared not move, lest she might disturb his repose.
The far-off sound of vehicles in the streets penetrated the walls; and she listened to hear whether that rolling of wheels did not stop before the door, whether her husband were not coming to deliver her, to tear her away at last from this sad tete-a-tete.
As she tried to draw her hand from Olivier's, he pressed it, uttering a deep sigh! Then she resigned herself to wait, so that she should not trouble him.
The fire was dying out on the hearth, under the black ashes of the letters; two candles went out; some pieces of furniture cracked.
All was silent in the house; everything seemed dead except a tall Flemish clock on the stairs, which regularly chimed the hour, the half hour, and the quarter, singing the march of time in the night, modulating it in divers tones.
The Countess, motionless, felt an intolerable terror rising in her soul. Nightmare a.s.sailed her; fearful thoughts filled her mind; and she thought she could feel that Olivier's fingers were growing cold within her own. Was that true? No, certainly not. But whence had come that sensation of inexpressible, frozen contact? She roused herself, wild with terror, to look at his face. It was relaxed, impa.s.sive, inanimate, indifferent to all misery, suddenly soothed by the Eternal Oblivion.
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