Sirens of t.i.tan.
by Kurt Vonnegut.
Kurt Vonnegut realized the full extent of his gifts for the first time in The Sirens of t.i.tan The Sirens of t.i.tan, a fabulously imaginative and wildly entertaining novel about nothing less than the meaning of existence, first published in 1959. Spinning through time and s.p.a.ce, he follows the fate of Malachi Constant, the erstwhile richest and most villainous man on earth, as Constant is flung from one end of the universe to the other, fulfilling a prophetic vision about the purpose of existence. The Sirens of t.i.tan The Sirens of t.i.tan is an exhilarating ride, a fascinating meditation on life and virtuoso turn for great writer. is an exhilarating ride, a fascinating meditation on life and virtuoso turn for great writer.
The American novelist Kurt Vonnegut (b. 1922) occupies an unusual but enduring place in modern American fiction, that of the prolific, critically acclaimed writer whose work has also enjoyed enormous popularity and inspired a virtual cult following. Vonnegut's first work appeared in the early 1950s, and few writers have captured the modern age as consistently and as imaginatively as he has. Often blending satire with science fiction, Vonnegut's writing reflects an acute sense of the ironies in modern American life, nowhere more hauntingly than in Slaughterhouse Five Slaughterhouse Five, an anti-war novel that manages to dazzle and entertain the reader as it rises to even more profound insights.
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To experience The RosettaBooks Connection for The Sirens of t.i.tan The Sirens of t.i.tan, go to: RosettaBooks.com/ TheSirensOft.i.tan Other Vonnegut t.i.tles available from RosettaBooks include Slaughterhouse Five Slaughterhouse Five, Breakfast of Champions Breakfast of Champions, Cat's Cradle Cat's Cradle and and Player Piano Player Piano.
"Every pa.s.sing hour brings the Solar System forty-three thousand miles closer to Globular Cl.u.s.ter M13 in Hercules- and still there are some misfits who insist that there is no such thing as progress."
- Ransom K. Ferm
For Alex Vonnegut, Special Agent, with love-
All persons, places, and events in this book are real. Certain speeches and thoughts are necessarily constructions by the author. No names have been changed to protect the innocent, since G.o.d Almighty protects the innocent as a matter of Heavenly routine.
Between Timid and Timbuktu "I guess somebody up there likes me."
- Malachi Constant Malachi Constant Everyone now knows how to find the meaning of life within himself.
But mankind wasn't always so lucky. Less than a century ago men and women did not have easy access to the puzzle boxes within them.
They could not name even one of the fifty-three portals to the soul.
Gimcrack religions were big business.
Mankind, ignorant of the truths that lie within every human being, looked outward- pushed ever outward. What mankind hoped to learn in its outward push was who was actually in charge of all creation, and what all creation was all about.
Mankind flung its advance agents ever outward, ever outward. Eventually it flung them out into s.p.a.ce, into the colorless, tasteless, weightless sea of outwardness without end.
It flung them like stones.
These unhappy agents found what had already been found in abundance on Earth- a nightmare of meaninglessness without end. The bounties of s.p.a.ce, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.
Outwardness lost, at last, its imagined attractions.
Only inwardness remained to be explored.
Only the human soul remained terra incognita terra incognita.
This was the beginning of goodness and wisdom.
What were people like in olden times, with their souls as yet unexplored?
The following is a true story from the Nightmare Ages, falling roughly, give or take a few years, between the Second World War and the Third Great Depression.
There was a crowd.
The crowd had gathered because there was to be a materilization. A man and his dog were going to materialize, were going to appear out of thin air- wispily at first, becoming, finally, as substantial as any man and dog alive.
The crowd wasn't going to get to see the materialization. The materialization was strictly a private affair on private property, and the crowd was emphatically not invited to feast its eyes.
The materialization was going to take place, like a modern, civilized hanging, within high, blank, guarded walls. And the crowd outside the walls was very much like a crowd outside the walls at a hanging.
The crowd knew it wasn't going to see anything, yet its members found pleasure in being near, in staring at the blank walls and imagining what was happening inside. The mysteries of the materialization, like the mysteries of a hanging, were enhanced by the wall; were made p.o.r.nographic by the magic lantern slides of morbid imaginations- magic lantern slides projected by the crowd on the blank stone walls.
The town was Newport, Rhode Island, U.S.A., Earth, Solar System, Milky Way. The walls were those of the Rumfoord estate.
Ten minutes before the materialization was to take place, agents of the police spread the rumor that the materialization had happened prematurely, had happened outside the walls, and that the man and his dog could be seen plain as day two blocks away. The crowd galloped away to see the miracle at the intersection.
The crowd was crazy about miracles.
At the tail end of the crowd was a woman who weighed three hundred pounds. She had a goiter, a caramel apple, and a gray little six-year-old girl. She had the little girl by the hand and was jerking her this way and that, like a ball on the end of a rubber band. "Wanda June," she said, "if you don't start acting right, I'm never going to take you to a materialization again."
The materializations had been happening for nine years, once every fifty-nine days. The most learned and trustworthy men in the world had begged heartbrokenly for the privilege of seeing a materialization. No matter how the great men worded their requests, they were turned down cold. The reusal was always the same, handwritten by Mrs. Rumfoord's social secretary.
Mrs. Winston Niles Rumfoord asks me to inform you that she is unable to extend the invitation you request. She is sure you will understand her feeling in the matter: that the phenomenon you wish to observe is a tragic family affair, hardly a fit subject for the scrutiny of outsiders, no matter how n.o.bly motivated their curiosities.
Mrs. Rumfoord and her staff answered none of the tens of thousands of questions that were put to them about the materializations. Mrs. Rumfoord felt that she owed the world very little indeed in the way of information. She discharged that incalculably small obligation by issuing a report twenty-four hours after each materialization. Here report never exceeded one hundred words. It was posted by her butler in a gla.s.s case bolted to the wall next to the one entrance to the estate.
The one entrance to the estate was an Alice-in-Wonderland door in the west wall. The door was only four-and-a-half feet high. It was made of iron and held shut by a great Yale lock.
The wide gates of the estate were bricked in.
The reports that appeared in the gla.s.s case by the iron door were uniformly bleak and peevish. They contained information that only served to sadden anyone with a shred of curiosity. They told the exact time at which Mrs. Rumfoord's husband Winston and his dog Kazak materialized, and the exact time at which they dematerialized. The states of health of the man and his dog were invariably appraised as good good. The reports implied that Mrs. Rumfoord's husband could see thepast and the future clearly, but they neglected to give examples of sights in either direction.
Now the crowd had been decoyed away from the estate to permit the untroubled arrival of a rented limousine at the small iron door in the west wall. A slender man in the clothes of an Edwardian dandy got out of the limousine and showed a paper to the policeman guarding the door. He was disguised by dark gla.s.ses and a false beard.
The policeman nodded, and the man unlocked the door himself with a key from his pocket. He ducked inside, and slammed the door behind himself with a clang.
The limousine drew away.
Beware of the dog! said a sign over the small iron door. The fires of the summer sunset flickered among the razors and needles of broken gla.s.s set in concrete on the top of the wall. said a sign over the small iron door. The fires of the summer sunset flickered among the razors and needles of broken gla.s.s set in concrete on the top of the wall.
The man who had let himself in was the first person ever invited by Mrs. Rumfoord to a materialization. He was not a great scientist. He was not even well-educated. He had been thrown out of the University of Virginia in the middle of his freshman year. He was Malachi Constant of Hollywood, California, the richest American- and a notorious rakeh.e.l.l.
Beware of the dog! the sign outside the small iron door had said. But inside the wall there was only a dog's skeleton. It wore a cruelly spiked collar that was chained to the wall. It was the skeleton of a very large dog- a mastiff. Its long teeth meshed. Its skull and jaws formed a cunningly articulated, harmless working model of a flesh-ripping machine. The jaws closed so- clack. Here had been the bright eyes, there the keen ears, there the suspicious nostrils, there the carnivore's brain. Ropes of muscle had hooked here and here, had brought the teeth together in flesh so- clack. the sign outside the small iron door had said. But inside the wall there was only a dog's skeleton. It wore a cruelly spiked collar that was chained to the wall. It was the skeleton of a very large dog- a mastiff. Its long teeth meshed. Its skull and jaws formed a cunningly articulated, harmless working model of a flesh-ripping machine. The jaws closed so- clack. Here had been the bright eyes, there the keen ears, there the suspicious nostrils, there the carnivore's brain. Ropes of muscle had hooked here and here, had brought the teeth together in flesh so- clack.
The skeleton was symbolic- a prop, a conversation piece installed by a woman who spoke to almost no one. No dog had died at its post there by the wall. Mrs. Rumfoord had bought the bones from a veterinarian, had had them bleached and varnished and wired together. The skeleton was one of Mrs. Rumfoord's many bitter and obscure comments on the nasty tricks time and her husband had played on her.
Mrs. Winston Niles Rumfoord had seventeen million dollars. Mrs. Winston Niles Rumfoord had the highest social position attainable in the United States of America. Mrs. Winston Niles Rumfoord was healthy and handsome, and talented, too.
Her talent was as a poetess. She had published anonymously a slim volume of poems called Between Timid and Timbuktu. It had been reasonably well received.
The t.i.tle derived from the fact that all the words between timid timid and and Timbuktu Timbuktu in very small dictionaries relate to in very small dictionaries relate to time time.
But, well-endowed as Mrs. Rumfoord was, she still did troubled things like chaining a dog's skeleton to the wall, like having the gates of the estate bricked up, like letting the famous formal gardens turn into New England jungle.
The moral: Money, position, health, handsomeness, and talent aren't everything.
Malachi Constant, the richest American, locked the Alice-in-Wonderland door behind him. He hung his dark gla.s.ses and false beard on the ivy of the wall. He pa.s.sed the dog's skeleton briskly, looking at his solar-powered watch as he did so. In seven minutes, a live mastiff named Kazak would materialize and roam the grounds.
"Kazak bites," Mrs. Rumfoord had said in her invitation, "so please be punctual."
Constant smiled at that- the warning to be punctual. To be punctual meant to exist as a point, meant that as well as to arrive somewhere on time. Constant existed as a point- could not imagine what it would be like to exist in any other way.
That was one of the things he was going to find out- what it was like to exist in any other way. Mrs. Rumford's husband existed in another way.
Winston Niles Rumfoord had run his private s.p.a.ce ship right into the heart of an uncharted chrono-syn-clastic infundibulum two days out of Mars. Only his dog had been along. Now Winston Niles Rumfoord and his dog Kazak existed as wave phenomena- apparently pulsing in a distorted spiral with its origin in the Sun and its terminal in Betelgeuse.
The earth was about to intercept that spiral.
Almost any brief explanation of chrono-synclastic infundibula is certain to be offensive to specialists in the field. Be that as it may, the best brief explanation is probably that of Dr. Cyril Hall, which appears in the fourteenth edition of A Child's Cyclopedia of Wondersand Things to Do A Child's Cyclopedia of Wondersand Things to Do. The article is here reproduced in full, with gracious permission from the publishers: Chrono-synclastic Infundibula- Just imagine that your Daddy is the smartest man who ever lived on Earth, and he knows everything there is to find out, and he is exactly right about everything, and he can prove he is right about everything. Now imagine another little child on some nice world a million light years away, and that little child's Daddy is the smartest man who ever lived on that nice world so far away. And he is just as smart and just as right as your Daddy is. Both Daddies are smart, and both Daddies are right Just imagine that your Daddy is the smartest man who ever lived on Earth, and he knows everything there is to find out, and he is exactly right about everything, and he can prove he is right about everything. Now imagine another little child on some nice world a million light years away, and that little child's Daddy is the smartest man who ever lived on that nice world so far away. And he is just as smart and just as right as your Daddy is. Both Daddies are smart, and both Daddies are right.
Only if they ever met each other they would get into a terrible argument, because they wouldn't agree on anything. Now, you can say that your Daddy is right and the other little child's Daddy is wrong, but the Universe is an awfully big place. There is room enough for an awful lot of people to be right about things and still not agree.
The reason both Daddies can be right and still get into terrible fights is because there are so many different ways of being right. There are places in the Universe, though, where each Daddy could finally catch on to what the other Daddy was talking about. These places are where all the different kinds of truths fit together as nicely as the parts in your Daddy's solar watch. We call these places chronosynclastic infundibula.
The Solar System seems to be full of chrono-synclastic infundibula. There is one great big one we are sure ofthat likes to stay between Earth and Mars. We know about that one because an Earth man and his Earth dog ran right into it.
You might think it would be nice to go to a chrono-synclastic infundibulum and see all the different ways to be absolutely right, but it is a very dangerous thing to do. The poor man and his poor dog are scattered far and wide, not just through s.p.a.ce, but through time, too.
Chrono (kroh-no) means time. Synclastic (sin-cla.s.stick) means curved toward the same side in all directions, like the skin of an orange. Infundibulum (infun-dib-u-lum) is what the ancient Romans like Julius Caesar and Nero called a funnel. If you don't know what a funnel is, get Mommy to show you one.
The key to the Alice-in-Wonderland door had come with the invitation. Malachi Constant slipped the key into his fur-lined trouser pocket and followed the one path that opened before him. He walked in deep shadow, but the flat rays of the sunset filled the treetops with a Maxfield Parrish light.
Constant made small motions with his invitation as he proceeded, expecting to be challenged at every turn. The invitation's ink was violet. Mrs. Rumfoord was only thirty-four, but she wrote like an old woman- in a kinky, barbed hand. She plainly detested Constant, whom she had never met. The spirit of the invitation was reluctant, to say the least, as though written on a soiled handkerchief.
"During my husband's last materialization," she had said in the invitation, "he insisted that you be present forthe next. I was unable to dissuade him from this, despite the many obvious drawbacks. He insists that he knows you well, having met you on t.i.tan, which, I am given to understand, is a moon of the planet Saturn."
There was hardly a sentence in the invitation that did not contain the verb insist insist. Mrs. Rumfoord's husband had insisted on her doing something very much against her own judgment, and she in turn was insisting that Malachi Constant behave, as best he could, like the gentleman he was not.
Malachi Constant had never been to t.i.tan. He had never, so far as he knew, been outside the gaseous envelope of his native planet, the Earth. Apparently he was about to learn otherwise.
The turns in the path were many, and the visibility was short. Constant was following a damp green path the width of a lawn mower- what was in fact the swath of a lawn mower. Rising on both sides of the path were the green walls of the jungle the gardens had become.
The mower's swath skirted a dry fountain. The man who ran the mower had become creative at this point, had made the path fork. Constant could choose the side of the fountain on which he preferred to pa.s.s. Constant stopped at the fork, looked up. The fountain itself was marvelously creative. It was a cone described by many stone bowls of decreasing diameters. The bowls were collars on a cylindrical shaft forty feet high.
Impulsively, Constant chose neither one fork nor the other, but climbed the fountain itself. He climbed from bowl to bowl, intending when he got to the top to see whence he had come and whither he was bound.
Standing now in the topmost, in the smallest of the baroque fountain's bowls, standing with his feet in the ruins of birds' nests, Malachi Constant looked out over the estate, and over a large part of Newport and Narragansett Bay. He held up his watch to sunlight, letting it drink in the wherewithal that was to solar watches what money was to Earth men.
The freshening sea breeze ruffled Constant's blue-black hair. He was a well-made man- a light heavyweight, dark-skinned, with poet's lips, with soft brown eyes in the shaded caves of a Cro-Magnon brow-ridge. He was thirty-one.
He was worth three billion dollars, much of it inherited.
His name meant faithful messenger faithful messenger.
He was a speculator, mostly in corporate securities.
In the depressions that always followed his taking of alcohol, narcotics, and women, Constant pined for just one thing- a single message that was sufficiently dignified and important to merit his carrying it humbly between two points.
The motto under the coat of arms that Constant had designed for himself said simply, The Messenger Awaits The Messenger Awaits.
What Constant had in mind, presumably, was a first-cla.s.s message from G.o.d to someone equally distinguished.
Constant looked at his solar watch again. He had two minutes in which to climb down and reach the house- two minutes before Kazak would materialize and look for strangers to bite. Constant laughed to himself, thinking how delighted Mrs. Rumfoord would be were the vulgar, prvenu Mr. Constant of Hollywood to spend his entire visit treed on the fountain by a thoroughbred dog. Mrs. Rumfoord might even have the fountain turned on.
It was possible that she was watching Constant. The mansion was a minute's walk from the fountain- set off from the jungle by a mowed swath three times the width of the path.
The Rumfoord mansion was marble, an extended reproduction of the banqueting hall of Whitehall Palace in London. The mansion, like most of the really grand ones in Newport, was a collateral relative of post offices and Federal court buildings throughout the land.
The Rumfoord mansion was an hilariously impressive expression of the concept: People of substance. It was surely one of the greatest essays on density since the Great Pyramid of Khufu. In a way it was a better essay on permanence than the Great Pyramid, since the Great Pyramid tapered to nothingness as it approached heaven. Nothing about the Rumfoord mansion diminished as it approached heaven. Turned upside down, it would have looked exactly the same.
The density and permanence of the mansion were, of course, at ironic variance with the fact that the quondam master of the house, except for one hour in every fifty-nine days, was no more substantial than a moonbeam.
Constant climbed down from the fountain, stepping onto the rims of bowls of ever-increasing sizes. When he got to the bottom, he was filled with a strong wish to see the fountain go. He thought of the crowd outside, thought of how they, too, would enjoy seeing the fountain go. They would be enthralled- watching the teeny-weeny bowl at the tippy-tippy top br.i.m.m.i.n.g over into the next little bowl... and the next little bowl's br.i.m.m.i.n.g over into the next little bowl... and the next little bowl's br.i.m.m.i.n.g over into the next bowl... and on and on and on, a rhapsody of br.i.m.m.i.n.g, each bowl singing its own merry water song. And yawning under all those bowls was the upturned mouth of the biggest bowl of them all... a regular Beelzebub of a bowl, bone dry and insatiable... waiting, waiting, waiting for that first sweet drop.
Constant was rapt, imagining that the fountain was running. The fountain was very much like an hallucination- and hallucinations, usually drug-induced, were almost all that could surprise and entertain Constant any more.
Time pa.s.sed quickly. Constant did not move.
Somewhere on the estate a mastiff bayed. The baying sounded like the blows of a maul on a great bronze gong.
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