"Do I know the woman?" asked De Gollyer, who flattered himself on pa.s.sing through every cla.s.s of society.
"Possibly, but no more than any one else."
"What she has been in the past I don't know--a promoter would better describe her. Undoubtedly she has been behind the scenes in many an untold intrigue of the business world. A very feminine woman, and yet, as you shall see, with an unusual instantaneous masculine power of decision."
"Peters," said Quinny, waving a warning finger, "you are destroying your story. Your preface will bring an anticlimax."
"You shall judge," said Peters, who waited until his audience was in strained attention before opening his story. "The names are, of course, disguises."
Mrs. Rita Kildair inhabited a charming bachelor-girl studio, very elegant, of the duplex pattern, in one of the buildings just off Central Park West. She knew pretty nearly every one in that indescribable society in New York that is drawn from all levels, and that imposes but one condition for membership--to be amusing. She knew every one and no one knew her. No one knew beyond the vaguest rumors her history or her means. No one had ever heard of a Mr. Kildair. There was always about her a certain defensive reserve the moment the limits of acquaintanceship had been reached. She had a certain amount of money, she knew a certain number of men in Wall Street affairs and her studio was furnished with taste and even distinction. She was of any age. She might have suffered everything or nothing at all. In this mingled society her invitations were eagerly sought, her dinners were spontaneous, and the discussions, though gay and usually daring, were invariably under the control of wit and good taste.
On the Sunday night of this adventure she had, according to her invariable custom, sent away her j.a.panese butler and invited to an informal chafing-dish supper seven of her more congenial friends, all of whom, as much as could be said of any one, were habitues of the studio.
At seven o'clock, having finished dressing, she put in order her bedroom, which formed a sort of free pa.s.sage between the studio and a small dining room to the kitchen beyond. Then, going into the studio, she lit a wax taper and was in the act of touching off the bra.s.s candlesticks that lighted the room when three knocks sounded on the door and a Mr. Flanders, a broker, compact, nervously alive, well groomed, entered with the informality of a.s.sured acquaintance.
"You are early," said Mrs. Kildair, in surprise.
"On the contrary, you are late," said the broker, glancing at his watch.
"Then be a good boy and help me with the candles," she said, giving him a smile and a quick pressure of her fingers.
He obeyed, asking nonchalantly:
"I say, dear lady, who's to be here to-night?"
"The Enos Jacksons."
"I thought they were separated."
"Very interesting! Only you, dear lady, would have thought of serving us a couple on the verge."
"It's interesting, isn't it?"
"a.s.suredly. Where did you know Jackson?"
"Through the Warings. Jackson's a rather doubtful person, isn't he?"
"Let's call him a very sharp lawyer," said Flanders defensively. "They tell me, though, he is on the wrong side of the market--in deep."
"Oh, I? I'm a bachelor," he said with a shrug of his shoulders, "and if I come a cropper it makes no difference."
"Is that possible?" she said, looking at him quickly.
"Probable even. And who else is coming?"
"Maude Lille--you know her?"
"I think not."
"You met her here--a journalist."
"Quite so, a strange career."
"Mr. Harris, a clubman, is coming, and the Stanley Cheevers."
"The Stanley Cheevers!" said Flanders with some surprise. "Are we going to gamble?"
"You believe in that scandal about bridge?"
"Certainly not," said Flanders, smiling. "You see I was present. The Cheevers play a good game, a well united game, and have an unusual system of makes. By-the-way, it's Jackson who is very attentive to Mrs.
Cheever, isn't it?"
"What a charming party," said Flanders flippantly. "And where does Maude Lille come in?"
"Don't joke. She is in a desperate way," said Mrs. Kildair, with a little sadness in her eyes.
"Oh, he is to make the salad and cream the chicken."
"Ah, I see the whole party. I, of course, am to add the element of respectability."
She looked at him steadily until he turned away, dropping his glance.
"Don't be an a.s.s with me, my dear Flanders."
"By George, if this were Europe I'd wager you were in the secret service, Mrs. Kildair."
She smiled appreciatively and moved about the studio, giving the finishing touches. The Stanley Cheevers entered, a short fat man with a vacant fat face and a slow-moving eye, and his wife, voluble, nervous, overdressed and pretty. Mr. Harris came with Maude Lille, a woman, straight, dark, Indian, with great ma.s.ses of somber hair held in a little too loosely for neatness, with thick, quick lips and eyes that rolled away from the person who was talking to her. The Enos Jacksons were late and still agitated as they entered. His forehead had not quite banished the scowl, nor her eyes the scorn. He was of the type that never lost his temper, but caused others to lose theirs, immovable in his opinions, with a prowling walk, a studied antagonism in his manner, and an impudent look that fastened itself unerringly on the weakness in the person to whom he spoke. Mrs. Jackson, who seemed fastened to her husband by an invisible leash, had a hunted, resisting quality back of a certain desperate dash, which she a.s.sumed rather than felt in her att.i.tude toward life. One looked at her curiously and wondered what such a nature would do in a crisis, with a lurking sense of a woman who carried with her her own impending tragedy.
As soon as the company had been completed and the incongruity of the selection had been perceived, a smile of malicious antic.i.p.ation ran the rounds, which the hostess cut short by saying:
"Well, now that every one is here, this is the order of the night: You can quarrel all you want, you can whisper all the gossip you can think of about one another, but every one is to be amusing! Also every one is to help with the dinner--nothing formal and nothing serious. We may all be bankrupt to-morrow, divorced or dead, but to-night we will be gay--that is the invariable rule of the house!"
Immediately a nervous laughter broke out and the company chattering began to scatter through the rooms.
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